Review Parker 75 Florence Vermeil Fountain Pen France

anfanghe Parker "75" was designed by Kenneth Parker (son of the founder George Parker) and the designer extraordinaire, Don Doman (who also designed the Parker "45", Parker "61", Parker "T1", Parker "VP" and Liquid atomic number 82). Subsequently the great success with the Parker "51" came an era of decline for the fountain pen, the ballpoints sold in greater and greater numbers. Parker was eventually introducing the Jotter ballpen which sold very well, ane reason beingness that it fitted every bit a gear up to the Parker "51" which was just about in everybodys pocket anyway. Parker tried (every bit they had before) to capture the broad markets with cheaper pens: Parker "21", Parker "41" and the Parker "45" (introduced in 1960, that was to become Parkers greatest seller in the depression-priced area). But Kenneth Parker was non satisfied. The Parker company was always reluctant to announced as annihilation but a high-classed company that fabricated high-classed pens, and since the Parker "61" never became the ultra-seller Parker had hoped, KP (so called past his employees) wanted to introduce yet some other top-line fountain pen. Some other reason was that even if the Parker "45" and the Jotter sold very well, they also sold for very piddling coin, leaving Parker with a small margin. Kenneth Parker characterized the company as being "in the early stages of rigor mortis unless something is washed to recapture the college-priced, souvenir-oriented business organization". Kenneth Parker wanted the new pen to be aesthetic, innovative, expensive and a skilful author. anfange borrowed the thought of an adaptable bill from himself, from the, at the fourth dimension, not very popular Parker "VP", Very Personal, which he and Don Doman also designed in the early 1960's, (it was launched in 1962). The conformed grip allowed the user to conform the nib to his hand "...like 1 adjusts the lens of a fine photographic camera...", as Kenneth Parker used to say. He borrowed the filling system (cartridge or converter) from the Parker "45". He borrowed the grid blueprint from his cigarette example, made by a London silversmith. To make the pen in solid aureate would have been also expensive and then Parker decided on sterling (a very pure) silver. During manufacturing the pens were fabricated in smooth silver into which was later cut lines and a blazon of stain was added in the cracks to highlighten the rectangular plates. This made the filigree-patterned silver pen merely to grow more than beautiful with time. The gold prune and trim together with the 14 carat gilded neb wrapped upward the design. When the new pen, called Sterling Cicelé hit the market in 1964 (the pen was finished in 1963, though, Parker's 75:thursday anniversary) it toll $25, which was extremely high for a pen aimed at the "broader" public. Over again proving that if you accept a quality product with an interesting design, people are willing to pay high prices for it. The new pen was destined to be produced for thirty years with merely minor changes in the bones blueprint. Some months after a aureate-filled version was too offered called Insignia Cicelé.

parker

Photography ©2010 by and courtesy of Itzak "Tsachi" Mitsenmacher.

A fantastic collection of Parker "75" prototypes.

B y 1965 the Parker 75 range included:
romb Sterling Silver Cicelé
romb A very bonny Vermeil, plain gilt-filled Sterling Silver The silvery under the gold giving it a special lustre.
romb The Insignia Cicelé, all gold filled
romb The Presidential Cicelé Solid xiv ct gold

In the early on 1960's a human being named Fisher was tracing one-time Spanish treasure ships that had sunk exterior the declension of Florida in 1715. Fisher managed to retrieve a lot of gold and silver ingots (bars) from the ships. Designer Don Doman conceived the thought to make a limited edition of the Parker 75 from this old silver. He discussed the matter with one of the Parker Companys vice presidents and was given the go-ahead. Fisher was contacted and quite a lot of the old silver was bought. The Spanish Treasure armada 75 is today ane of the almost sought for Parker 75'due south, if not 1 of the nigh sought for (and in fact the first always produced) express edition pens. Information technology merely cost $75 back in 1966. Why didn't y'all buy a couple of dozen then?

The line in 1966:
romb Sterling Silver Manifestly
romb Sterling Silverish Cicelé
romb Vermeil Plain
romb Vermeil Cicelé
romb Insignia Cicelé
romb Presidential Cicelé
romb Spanish Treasure Limited Edition

anfangnorthward 1967 Parker introduced the Keepsake. This pen was fabricated in plain silvery with wide "stripes" for "Habitual just well-intentioned forgetters of birthdays and anniversaries" with room to "Engrave this magnificent pen with a record of the important events in your life... all the occasions you lot want to remember. Ceremony — Family Birthdates — Special Honors — Membership in Fraternal Organizations". The thought might have been good but the pen never actually got to the hearts of the public (although information technology followed the Cicelé pricing). A Presidential Emblem in solid 14 ct gold was besides offered at $100.
In 1968 Parker increased the cost of all 75's to $30. And in the same year the two Keepsakes were discontinued. Today they are and then extremely rare, specially the solid aureate pen, that collectors do not fifty-fifty know them well enough to collect them. Kenneth Parker used to bear his in his pocket. And former secretary of state, William P Rogers used his to sign the Vietnam peace agreement in 1973. Other than that, Vincent Fatica has i, and he won't sell...

The outset Parker 75 was offered with a flat clip-spiral, ofttimes referred to past collectors as the "flat-top" 75. In 1970 the prune screw was re-designed leaving a minor hole in the clip-spiral, this way Parker could offer to add an emblem or company logo to the top of the pen. The Parker Vector (RB-1) picked up this idea, only with a more elongated circle. The first Parker "75" models as well had a grading scale engraved on the metal cover separating the nib/feed from the section and a broad, approximately. 4 mm space at the cap lip, like a cap band. In 1970 the department ring as well as the cap ring became narrower, app 1,5 mm.

parker

Photography ©2010 by and courtesy of Itzak "Tsachi" Mitsenmacher.

A marvelous collection of Parker "75" prototypes.

parker

Photography ©2010 by and courtesy of Itzak "Tsachi" Mitsenmacher.

An incredible drove of Parker "75"'s. From top to bottom: An incredible collection of Parker "75's" From height to bottom:
Parker "75" presidential in 14k solid gold
Parker "75" presidential in 14k solid gold ballpen
Parker "75" imperial 14k solid golden
Parker "75" Godron 18k solid gold
Parker "75" Tiffany Grid in 14K gold
Parker "75" Tiffany Grid in 14K gold ballpen
Parker "75" Tiffany Grid in 14K golden mechanical pencil
Parker "75" Acacia or Bawl 18k solid gilded ballpen
Parker/Boucheron "75" Bark in 18K gold
Parker/Boucheron "75" Bark in 18K gold ballpen
Parker "75" Grec
Parker "75" Grec ballpen
Parker "75" Fougére
Parker "75" Fougére ballpen

And a new Vermeil collection:
romb Fugére
romb Florence
romb Damier

And a new solid aureate drove:
romb Fugére
romb Bark
romb Zebra

The Vermeil and Lacquer collections were discontinued in the late 1980's.

In 1991 the ink-collector became larger and the gripping section, previously with three sides, became rounded. The gold ring at the lip of the section (close to the nib) was decumbent to discolouration on accout of the acrid in the ink and the ring was moved away from the beak, leaving a plastic band between the nib and the gold.

The last setup for the Parker 75 was:
romb Cicelé
romb Perlé (22 carat goldplated)
romb Milleraies (22 carat goldplated)
romb Laque Black
romb Thuya

anfanguite a few nib sizes have been offered for the Parker 75:

romb X fine - semi flexible
romb Fine - semi flexible
romb Fine Italic - semi flexible
romb Medium - semi flexible
romb Medium - right oblique
romb Wide - semi flexible
romb Heavy Italic

Other custom nib styles was also bachelor for special order.

anfanghe Parker 75 is an odd pen since it actually became more and more popular as the time went by. It managed to increment in sales during the "dark ballpoint years" of the 1970'due south and 1980'due south, like no other pen did. Between the years 1965 to 1981 Parker made and sold 11 million Parker 75's of different designs. It took the pen eight years to sell one meg units per year, then sales was rather steady for about five years during the early 1970's, and so again in 1980 it suddenly sold 2.two one thousand thousand per twelvemonth and it connected to be a good seller until information technology was discontinued in 1994 to brand room for Parkers new top-line, the Sonnet.
Nevertheless the Parker "75" is one of Parkers all-time money makers. Compared to the profits fabricated by the lower priced Parker "45" (that had been around for even longer), the Parker "45" in its heyday sold 75 meg units during twenty years, generating $140 million for Parker, the 11 one thousand thousand Parker "75"'s generated $111 million over a 15-yr span and, of grade the fewer the pens, the less overall product costs...

Read more about the Parker "75" at Lih-Tah Wongs excellent site http://www.parker75.com

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